JACKSON JS11 DK, AH FB, 22 FR, MT BL -electric guitar, blue metallic
AED680
Jackson’s new JS11 Dinky is a metal machine. Jackson guitars are made to be played hard! Jackson doesn’t like blues, hates pop and doesn’t understand jazz.
Out of stock
CompareA Jackson guitar just wants to be tuned and played loud, fast and dirty! You only need to look at the incredible line-up of some of the most aggressive guitarists in the world to see what we mean. Stars such as Matt Tuck (Bullet For My Valentine), Christian Olde Wolbers (Fear Factory), John Campbell (Lamb of God), Mark Morton (Lamb of God), Serj Tankian (System of a Down) and Zakk Wylde are all Jackson users.
Fast, deadly and affordable, jackson JS Series guitars take an epic leap forward, making it easier than ever to get Jackson’s classic tone, look and playing ability without breaking the bank. Improved features such as arched caps, new high-performance ceramic magnet pickups, graphite-reinforced maple masts, bound fingerboards and pegs, and black fittings offer more for less.
The JS11 Dinky model has a linden body, bolted maple speed mast with graphite reinforcement and 12″ radius amaranth fingerboard with 22 jumbo frets and white dot inlays. Other features include two high-performance Jackson humbucking pickups with ceramic magnets and three-way blade switching, synchronized fulcrum tremolo bridge, chrome fittings and die-cast tuners.
The instruments in the Jackson Pro series are exactly that. Professional level guitars for professional level guitarists. This guitar has a satin neck with graphite booster rods for the ultimate in sleek, sustained playability and rock-solid stability. Bolted neck models feature an innovative “wraparound” three-bolt neck gasket with remarkable strength, style and feel. No matter how thick your ropes, this mast will still be rock solid so you can drill down without worrying about detuning it.
Composite radio tuning forks are ideal for metal. Jackson pioneered the use of this innovative design, in which the fingerboard is gradually flattened towards the heel from its more rounded profile on the eyebrow. This makes the chords and riffs feel comfortable and natural near the eyebrow, with an optimal crushing joint and flexion closer to the heel. When you need to hit the power chords, it’s comfortable and sounds great, and when that quick crushing solo arrives, it’s ready for that too.

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