Behringer Wasp Desktop Synthesizer

Behringer Wasp Desktop Synthesizer features :

• Faithful reproduction of a cult classic monophonic synth
• Two digital oscillators with three variable waveshapes — pulse, ramp, and enhanced mode
• Pulse width modulation on OSC1
• Variable pitch control on OSC2
• Analog VCF with highpass, lowpass, notch, and bandpass modes and sweepable resonance
• LFO with six selectable waveforms, noise, and pitch and frequency mod controls
• VCA envelope generator with attack, decay, and sustain/repeat controls
• Control envelope generator with attack, decay, delay/repeat controls
• Eurorack compatible with an 80HP footprint
• Combine with multiple synthesizers for up to 16 voice polyphony with Poly Chain
• USB-MIDI plus 5-pin DIN In and Thru
• Behringer Wasp Desktop Synthesizer : Glide (portamento)
• External audio input
• Low-output and high-output 1/4″ outs

Great care has been taken in designing the Behringer Wasp Desktop Synthesizer including the true to the original “Wasp Deluxe” circuitry. This is what gives it its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones, stunning effects – and all the way out to the otherworldly sounds of your imagination.

A faithful reproduction of the cult classic digital-analog hybrid synth, the Behringer Wasp Desktop Synthesizer Deluxe monophonic synth has the bone-rattling lows and searing highs that made its predecessor infamous in esoteric synth circles. True to its name, the Wasp Deluxe excels at droney, buzzy synth sounds, emanating from its two digital oscillators, distinctive analog VCF, noise generator, and a hive full of modulation capabilities. The Wasp Deluxe can generate three variable oscillator shapes —pulse, ramp, and enhanced mode, with pulse width modulation on oscillator one. Oscillator two swaps out pulse width control for pitch, so you can dial up warbly, detuned chorus effects, or tune the oscillator to intervals for pseudo-polyphony.

The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive.

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External link : Behringer