There’s a lot of buzz about 32-bit float recording technology. It not only gives you consistently clear audio, a simplified setup and unprecedented editing flexibility, but it also eliminates the need for a gain knob.
Zoom is one of the first companies to implement 32 bit-float into a variety of portable audio recording devices because we see this technology as a true game-changer– but you might be wondering how it works and if it’s worth using in your audio setup. Here is a brief crash-course on 32-bit float that can help you determine if it’s right for you and your work.
You can also try the product at our shop located in Deira before you buy.
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There’s a lot of buzz about 32-bit float recording technology. It not only gives you consistently clear audio, a simplified setup and unprecedented editing flexibility, but it also eliminates the need for a gain knob.
Zoom is one of the first companies to implement 32 bit-float into a variety of portable audio recording devices because we see this technology as a true game-changer– but you might be wondering how it works and if it’s worth using in your audio setup. Here is a brief crash-course on 32-bit float that can help you determine if it’s right for you and your work.
The reason why digital audio distortion occurs in the first place comes down to sample rate and bit depth. When you’re recording with a computer, your digital audio workstation (DAW) software takes the initial analog signal and breaks it down into many snapshots (samples) in order to convert it to a digital signal. Sample rate tells you how many samples your DAW is capturing every second; the higher the sample rate, the more true-to-life your recordings will sound. For example, a 44.1kHz sample rate––standard digital CD quality––means your DAW is producing 44,100 samples per second when recording.
The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.
The H6essential’s 3.0 capsule system has been updated to support 32-bit float and gives creators more options to use the right mic for their recording.
Inputs | Mic capsule | 1 |
---|---|---|
MIC/LINE (mono) | 4 | |
Outputs | LINE OUT | 1 |
Headphones | 1 | |
Built-in speaker (mono) | 1 | |
XY mic: XYH-6e | 90º XY stereo format | |
---|---|---|
Directionality | Unidirectional | |
Sensitivity | −42dB/1Pa at 1kHz | |
Maximum sound pressure input | 135 dB SPL | |
MIC/LINE (mono) | Connectors | 4 XLR/TRS combo jacks |
(XLR:2 HOT TRS:TIP HOT) | ||
Input gain | Adjustment unnecessary (dual A/D converter circuits used) | |
Input impedance | MIC: 3.8 kΩ or more | |
LINE: 39 kΩ or more | ||
Maximum input level | MIC: +4 dBu | |
LINE: +24 dBu | ||
Phantom power | +48 V | |
Channel total 32 mA or less | ||
Equivalent input noise | MIC: -120 dBu or less(IHF-A) @150 Ω input | |
LINE: -95 dBu or less(IHF-A) @600 Ω input | ||
LINE OUT | Connector | Stereo mini jack |
---|---|---|
Maximum output level | +1 dBu | |
Output impedance | 110 Ω or less | |
Headphones | Connector | Stereo mini jack |
Maximum output level | 20 mW + 20 mW(when 32 Ω load) | |
Output impedance | 10 Ω or less | |
Built-in speaker | Type | 20 mm x 30mm elliptical dynamic speaker |
Effective maximum output | 250mW | |
Maximum simultaneous recording tracks | 8 |
---|---|
Maximum simultaneous playback tracks | 6 |
Recording formats | WAV |
44.1/48/96 kHz, | |
32-bit float mono/stereo | |
BWF and iXML formats supported | |
Recording media | 4-32GB cards compatible with the microSDHC specification |
64GB–1TB cards compatible with the microSDXC specification | |
2.0-inch full-color LCD | 360 x 240 |
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Connector | USB Type-C |
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