Name: sE Electronics sE6160 Supercardioid/Lobar Shotgun Condenser Microphone (Matched Pair)
Brand: SE Electronics
SKU: sE6160 (P)
Availability: InStock

sE Electronics sE6160 Supercardioid/Lobar Shotgun Condenser Microphone (Matched Pair)

AED4,795

The sE Electronics sE6160 (P) is a matched pair compact shotgun condenser microphones for film, broadcast, and interviews, delivering focused pickup and clear dialogue.

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Ideal for live sound IEM crowd noise, on-set dialogue capture, broadcasting in noise spaces, and spot miking orchestras, the sE Electronics sE6160 is a shotgun mic with handcrafted, gold-sputtered true condenser capsule and a tight supercardioid/lobar pickup pattern. With switchable -10 or -20 dB pad and 80 or 160 Hz low-cut filter, you can handle nearly any audio source.

Presented here in a factory-matched pair, these condenser mics are ideal for stereo recording applications, especially in live scenarios and video shoots. The extremely tight and specially tuned pickup pattern helps to not only cut out unwanted environmental off-axis noise, it also ensures a high gain before feedback without colorization of signals. The housing is constructed from die-cast metal for durability and sports a 3-pin XLR output. As a true condenser mic, the sE6160 takes common 48V phantom power. The sE6160 matched pair includes two mic clips with thread adapters, two foam windscreens, and a hard carrying case.

Factory-Matched Pair

Available here in a factory-matched pair, this version of the sE6160 is ideal for orchestral miking, drum overheads, percussion, wider crowd coverage during video or audio recordings, multicamera setups with the need to cover large sets, and much more. Having two perfectly matched condenser mics is the way to go when engaging in any form of stereo recording.

Custom-Made Shotgun Capsule

The handcrafted, in-house designed true condenser capsule with a gold-sputtered diaphragm ensures crystal clarity and uncolored sound.

Attenuation Pad

The attenuation switch allows you to reduce the microphone’s signal by 10 or 20 dB. This can be helpful for loud sources, preventing overload on your audio interface. When this switch is in its center position, it has no effect on the microphone output.

Low-Cut Filter

The low-cut switch allows you to adjust the bass response of your source. When engaged, the microphone’s low-frequency response is rolled off at 80 or 160 Hz. When this switch is in its center position, it has no effect on the microphone output

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