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Two singers, one mic: grab the AKG P820 Tube, set it to figure-8, and you’re good to go. Record a sax solo overdub with natural “slap”: position the P820 Tube (again, on figure-8) between the sax player and the control room window; adjust mic position to taste. Ginormous Val Garay-style toms (two racks and a floor): three P820s on cardioid, fairly close-in – just don’t let the drummer hit the mics! Full symphony orchestra, Bob Fine’s Mercury Living Presence technique: again, three P820s, this time set to omni, across the proscenium arch; record to three tracks panned left, center, right. Set your levels for peaks, then leave those faders alone and let the conductor balance the orchestra. We could go on, but even without exploring the intermediate polar pattern settings, you can already see how the P820 Tube can be used in any number of ways to produce incredible sounding tracks.