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| Solo (1Mic Pre) |
One of the best performing mic preamps the Scarlett range has ever seen, now with switchable air Mode to give your recordings a brighter and more open sound. One high-headroom instrument input to plug in your guitar or bass. Two hum-free balanced outputs provide clean audio playback |
|---|---|
| 2i2 (2 Mic Pres) |
Two of the best performing mic preamps the Scarlett range has ever seen, now with switchable air Mode to give your recordings a brighter and more open sound. Two high-headroom instrument inputs to plug in your guitar or bass. Two balanced line inputs, suitable for connecting line-level sources |
| 4i4 (2 Mic Pres) |
Two of the best performing mic preamps the Scarlett range has ever seen, now with switchable Air mode to give your vocal recordings a brighter and more open sound. Two high-headroom instrument inputs to plug in your guitar or bass. Two balanced line inputs for connecting synthesizers, drum machines and other line-level sources. Four balanced outputs for clean monitoring and sending audio out to effects pedals |
Out of stock
Out of stock
Out of stock
Out of stock
In stock
| Solo (1Mic Pre) |
One of the best performing mic preamps the Scarlett range has ever seen, now with switchable air Mode to give your recordings a brighter and more open sound. One high-headroom instrument input to plug in your guitar or bass. Two hum-free balanced outputs provide clean audio playback |
|---|---|
| 2i2 (2 Mic Pres) |
Two of the best performing mic preamps the Scarlett range has ever seen, now with switchable air Mode to give your recordings a brighter and more open sound. Two high-headroom instrument inputs to plug in your guitar or bass. Two balanced line inputs, suitable for connecting line-level sources |
| 4i4 (2 Mic Pres) |
Two of the best performing mic preamps the Scarlett range has ever seen, now with switchable Air mode to give your vocal recordings a brighter and more open sound. Two high-headroom instrument inputs to plug in your guitar or bass. Two balanced line inputs for connecting synthesizers, drum machines and other line-level sources. Four balanced outputs for clean monitoring and sending audio out to effects pedals |
Out of stock
Out of stock
Out of stock
Out of stock
In stock
| Solo (1Mic Pre) |
One of the best performing mic preamps the Scarlett range has ever seen, now with switchable air Mode to give your recordings a brighter and more open sound. One high-headroom instrument input to plug in your guitar or bass. Two hum-free balanced outputs provide clean audio playback |
|---|---|
| 2i2 (2 Mic Pres) |
Two of the best performing mic preamps the Scarlett range has ever seen, now with switchable air Mode to give your recordings a brighter and more open sound. Two high-headroom instrument inputs to plug in your guitar or bass. Two balanced line inputs, suitable for connecting line-level sources |
| 4i4 (2 Mic Pres) |
Two of the best performing mic preamps the Scarlett range has ever seen, now with switchable Air mode to give your vocal recordings a brighter and more open sound. Two high-headroom instrument inputs to plug in your guitar or bass. Two balanced line inputs for connecting synthesizers, drum machines and other line-level sources. Four balanced outputs for clean monitoring and sending audio out to effects pedals |
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Out of stock
Out of stock
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that's unhappy for a reason is a problem, a client that's unhappy though he or her can't quite put a finger on it is worse. Chances are there wasn't collaboration, communication, and checkpoints, there wasn't a process agreed upon or specified with the granularity required. It's content strategy gone awry right from the start. If that's what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.
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