

Behringer Eurorack MX1604A Mixer
AED564 Original price was: AED564.AED541Current price is: AED541.
Ultra-Low Noise Design, 12-Channel Mic/Line Mixer
EURORACK MX1604A
The MX1604 gives you four mono and four stereo channels plus an impressive set of professional features in a compact yet transparent package. Along with the same high-quality components and ULN circuitry as our large consoles, you get effective, musical 3-band EQ’s (plus low cut in the mono channels), an additional stereo bus, full-fledged PFL/solo-in-place, mute and routing functions, phantom power, two aux sends and two stereo returns, 2-track in/out plus balanced inputs and outputs. All that and more in a box about the size of a laptop computer.
Out of stock
CompareBehringer Eurorack MX1604A Mixer
- Ultra-low noise, 12-channel, 4-bus mixer
- 4 mono input channels with gold-plated XLRs and 4 stereo input channels
- 2 additional multi-functional stereo Aux returns
- Pre-/post-fader Aux sends for external effects and monitoring
- Master aux sends with Gain control
- Extremely high headroom and huge dynamic range
- Ultra-low noise, discrete mic preamps with +48 V phantom power
- Balanced inputs and Main outputs
- Peak LEDs and switchable low-cut filters on all mono channels
- Ultra-musical 3-band EQ on all channels
- Mute/Alt 3-4, Solo and PFL function on all channels
- Separate Main mix, Control room and Headphone outputs
- 2-track inputs assignable to Main mix, Control room or Headphone outputs
- Highly accurate bargraph meter on output
- High-quality 60 mm faders and sealed potentiometers
- Behringer Eurorack MX1604A Mixer Robust power supply ensures superior transient response
- State-of-the-art 4580 ICs and high-quality components ensure crystal-clear audio performance and excellent noise figures
- 19″ rack mounting kit included
- High-quality components and exceptionally rugged construction ensure long life
- Designed and engineered in Germany

Shop at cheap price : Audio Shop Dubai
What is the purpose of mixing in the first place? While considering the signal path of audio production for live or studio applications, we were stunned to find that much of the terminology is still driven by historical technical implementation, rather than its actual purpose. Normally, consoles focus on input numbers assigned to channels and auxes. WING is offering a substantially different perspective by focusing on the Source as the reason for any mixing, say a bass drum signal or the lead vocal. Inputs are therefore given more properties than just a number. Sources can be in mono, stereo or mid-side mode, own headamp parameters like gain and phantom power, with specific source mute and metering. They can also be given a color, icon, name and several tags for grouping and filtering purposes.
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