


Audio-Technica’s AT4047MP delivers vintage sound in a multi-pattern design with selectable omnidirectional, cardioid, and figure-of-eight polar patterns. The microphone’s transformer-coupled output and specially tuned element provide sonic characteristics reminiscent of early F.E.T. studio
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AT4047MP Multi-pattern Condenser Microphone delivers vintage sound in a multi-pattern design with selectable omnidirectional, cardioid, and figure-of-eight polar patterns. The microphone’s transformer-coupled output and specially tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs. With a wide dynamic range, incredibly low self-noise and high SPL capability, this versatile microphone excels on vocals, strings, acoustic guitar, instrument ensembles, small vocal groups and voice overs.
Three switchable polar patterns: cardioid, omnidirectional, figure-of-eight.
Engineered to meet the critical acoustic requirements of professional recording, broadcast and sound reinforcement.
Transformer-coupled output and specially tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs.
Exceptionally low self-noise, wide dynamic range and high SPL capability.
Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone.
Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity.
Vintage silver-matte finish on microphone and shock mount.
Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections.
Custom shock mount provides superior isolation.
Integral 80 Hz high-pass filter switch and 10 dB pad switch.
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AT4047MP Multi-pattern Condenser Microphone delivers vintage sound in a multi-pattern design with selectable omnidirectional, cardioid, and figure-of-eight polar patterns. The microphone’s transformer-coupled output and specially tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs. With a wide dynamic range, incredibly low self-noise and high SPL capability, this versatile microphone excels on vocals, strings, acoustic guitar, instrument ensembles, small vocal groups and voiceovers.
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