The Turbosound story unofficially begins in the days when men were men, and sound reinforcement was a truckload of AC30’s and a wall of bulky bins stretching as far as the eye could see.

Tony Andrews’ involvement with the Glastonbury Festival led to the development of the Festival System

By 1978 – which is when the official story begins – Tony Andrews had met Tim Isaac and joined forces with John Newsham, a respected sound engineer, to form Turbosound.

New concepts were on the drawing board, and the new Turbosound system – codenamed UHQ for Ultra High-Q – which was to take the world by storm was in some ways a step forward

Such was Turbosound’s international success that the TMS-3 was widely copied, hijacking a patented product design down to the last detail. In Canada, a successful legal case resulted in a local company’s TMS- 3 copies being publicly chain sawed.

Turbosound Inc, to realise the sales potential in the US, and Turbosound Sales Ltd to manufacture the products and cover the rest of the world. Behind the early move into the US market was the principle that if the company succeeded there, it would succeed anywhere.

Turbosound was with the formation of the Edge Technology Group (or EdgeTech), that partnered Turbosound with BSS Audio in 1986 and spawned Precision Devices a year later, that the possibility to have some measure of meaningful influence on the quality of the signal chain became a reality

In a few short years, the TMS-3 had been confirmed as the world’s largest-selling modular full range PA cabinet, with over 3,000 units in use and sizeable systems in all the big rental houses around the globe.

As Pink Floyd prepared to stage their extraordinary world tour in the spring of 1994, FLASHLIGHT was picking up awards, beating EAW’s KF850 and Martin Audio’s F2 systems to be named Best Concert PA System in the Live! Awards.

As early as 2000, sparked by a decision not to follow the well-trodden and overcrowded path of me-too line arrays, Turbosound’s engineers began the process of updating the large format touring systems.

Along the way it became clear that the practical limitations of a narrow-beam, long throw PA meant that FLASHLIGHT alone could not meet the requirements of smaller venues, and so FLASHLIGHT spawned another family of products to replace the TMS-3.

The 2005 Glastonbury Festival saw the ASPECT rig deployed for the John Peel Stage by South WestAudio, which showcased emerging artists.

In 2007 the market was looking for a medium scale Turbosound system that would be accessible to local and regional rental companies, and it had become clear that by splitting a POLYHORN and slotting a Dendritic device in between, it was possible to design a better line array

In 2013 FLEXARRAY and a host of other Turbosound installed loudspeaker products from the TCS and NuQ ranges were chosen for the single largest, and arguably the most exclusive, nightclub in the world.

For over 40 years Turbosound has repeatedly shown award-winning innovation and leadership in the world of high end professional audio, producing landmark products that have defined and shaped the live industry.

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